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Fragments of the former Berlin Wall come back to life within a work that asymptotically unites the four arts of man; in which the building materials are modeled by the artist: half Hephaestus in the forge of the volcano, half Zeitgeist of a time that seems to want to return.
Fragments of the former Berlin Wall come back to life within a work that asymptotically unites the four arts of man; in which the building materials are modeled by the artist: half Hephaestus in the forge of the volcano, half Zeitgeist of a time that seems to want to return.
“Who are you? Nobody!” The work arises from the ruins to rise to imposing dimensions. As high as a room, to be perceived as a whole from a distance, and to scrutinize the details within a few millimeters.
Because only by constantly changing perspective you can touch the true meaning of things.
“Who are you? Nobody!” The work arises from the ruins to rise to imposing dimensions. As high as a room, to be perceived as a whole from a distance, and to scrutinize the details within a few millimeters.
Because only by constantly changing perspective you can touch the true meaning of things.
The work was born without its knowledge in 1983, from the journey of a student on an educational visit who discovers the divisions of the world, the creative chaos of West Berlin and the police order of East Berlin. But the triumph of The Wall Tour of 1990 is needed. So that that student can take home fragments of bricks and barbed wire from a wall that no longer exists.
The work was born without its knowledge in 1983, from the journey of a student on an educational visit who discovers the divisions of the world, the creative chaos of West Berlin and the police order of East Berlin. But the triumph of The Wall Tour of 1990 is needed. So that that student can take home fragments of bricks and barbed wire from a wall that no longer exists.
After 2 years of walls that close around people and force them to new separations and the return of old conflicts between West and East that we thought have disappeared, the need arises to remind people that the Iron Curtain was not just a physical barrier, but above all cultural.
After 2 years of walls that close around people and force them to new separations and the return of old conflicts between West and East that we thought have disappeared, the need arises to remind people that the Iron Curtain was not just a physical barrier, but above all cultural.
In 2022, the artist Fabio Tassi created the work sponsored by Nicola Tilli, the student who in the 80s was deeply fascinated by the wall and its destruction. And which today creates a figurative wall, around which the cultural community of Unwalled will come to life.
In 2022, the artist Fabio Tassi created the work sponsored by Nicola Tilli, the student who in the 80s was deeply fascinated by the wall and its destruction. And which today creates a figurative wall, around which the cultural community of Unwalled will come to life.
Born in Pavia on 1969, Fabio Tassi began his artistic activity on 1986. During the last 15 years, he has been showing in personal and collective exhibitions. His art has been appointed as genuine, not contaminated and surely unconventional. In 2011, beyond three personal exhibitions and two collective ones, he participated to three “collective” of Degli Zingari Gallery in Rome, rione Monti, after then he was chosen for the permanent exhibition of the Gallery. From September 2011, he is member of the Sinergy Lab in Rome, artistic and cultural laboratory sensitive to art and its different expressions. Pictures of contemporary art arise out from the personal feeling with regard to the surrounding world and such as every canvas represent a window on the entire world, from which looking out, catching the evident reality. The strong psychological impact of his artwork, more evident in the big dimension’s pictures, spread all the interpretative and expressive power of the author, communicating to whom interact with them a strong emotional impact that involves you in a total way. In 2015 Fabio Tassi presented himself to the first Edition of Pavirt with a new project entitled !”Into the wall”. A series of new works focused on the concept of “walls”, considered as mute testimonials of the most different experiences, that the artist replies on canvas, panels and sculptures.
In 2017 his project “to be free – >HD art project”, focused on the original myth of Harley Davidson that is “two wheels for freedom” has been presented for the first time at Villa Castelbarco in Vaprio (MI) and later shown in the Harley Davidson showroom in Pavia by Max Pezzali (an Italian famous pop singer since 25 years). In January 2019, Fabio opens his brand new laboratory/artistic space/gallery. The 21 is the turning point year with important awards like the artwork entitled “North American Icorns”, selected among the 20 finalists of the Luxembourg Art Prize, one of the most important European contest. Artnow Magazine was publishing the review of the aork entitles “si aprono le danze” (Dances are opened, in English) and insert it with aother 5 works in the “Premio Sgarbi” catalogue.
The work “Owl the spirit guide” is inserted by the same Sgarbi (a famous Italian art critic) among the best 100 of 2021 and is exposed in Palazzo Reale of Ferrara. The same work is selected among the best 20 works by “Icon Art Magazine” and the artist meet again Professor Sgarbi to the exhibition settled on December 2021 in the Maritime Station of Salerno.
2022 is the year of the International quotation of the artist who, participating at two International auctions (in Innsbruck and Hanfield) had confirmed his artistic quotation over the national Italian borders.
In 2017 his project “to be free – >HD art project”, focused on the original myth of Harley Davidson that is “two wheels for freedom” has been presented for the first time at Villa Castelbarco in Vaprio (MI) and later shown in the Harley Davidson showroom in Pavia by Max Pezzali (an Italian famous pop singer since 25 years). In January 2019, Fabio opens his brand new laboratory/artistic space/gallery. The 21 is the turning point year with important awards like the artwork entitled “North American Icorns”, selected among the 20 finalists of the Luxembourg Art Prize, one of the most important European contest. Artnow Magazine was publishing the review of the aork entitles “si aprono le danze” (Dances are opened, in English) and insert it with aother 5 works in the “Premio Sgarbi” catalogue.
The work “Owl the spirit guide” is inserted by the same Sgarbi (a famous Italian art critic) among the best 100 of 2021 and is exposed in Palazzo Reale of Ferrara. The same work is selected among the best 20 works by “Icon Art Magazine” and the artist meet again Professor Sgarbi to the exhibition settled on December 2021 in the Maritime Station of Salerno.
2022 is the year of the International quotation of the artist who, participating at two International auctions (in Innsbruck and Hanfield) had confirmed his artistic quotation over the national Italian borders.
The masterpiece was presented for the first time in Italy near Milano at Castello di Tolcinasco.
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